“The materials used, mainly fabrics and paper, give the place created by Piet Moget, and now managed by his daughter Layla, a lightness which contrasts with the seriousness of the subjects discussed. The two artists have indeed appropriated it as they would have had a house, rented for a while, which they would have adapted to their tastes, passions, obsessions and revolts.
From the entrance, four portraits on fabric of children without racial prejudice, embroidered by Tisna, invite us to raise our gaze above everyday life and penetrate the thinking put into practice.
The child is the future. They are at once calm, confident but at the same time fragile, subject to the whims of the winds of human history, to what the future has in store for them, for which we will be the main and first responsible!
‘This is an exhibition that is both pleasant to approach, profound in its controversial issues and the causes that the artists intend to defend, and effective in its way of treating them. Where when leaving, the door being open, we feel new wings.”
LINK: READ FULL ARTICLE ONLINE – PAGE 108
